Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game releases in UK and Irish theaters from November 17.
